photographic record, canvas, 121.7 × 81 cm
purchased in 2021 with funding from the Czech Ministry of Culture
This work is typical not only of Dezider Tóth’s production, but also of the entire Czechoslovak art scene during the 1970s and 80s. The unofficial art scene was characterized by a strong focus on action and performative art, whose processual aspects were captured and recorded. Koan II is a photographic record of the wiping-away of chalk-written messages and chalk drawings on boards prepared by the artist; these boards featured numerous question marks executed in indelible oil paint. This structure symbolized a starry sky. The chalk messages and drawings were created spontaneously by visitors who came to the artist’s home to attend unofficial private exhibitions during the 1970s. Tóth then used a wet sponge to wipe away this visual “noise”, thus emphasizing the essence – emptiness, or a background of potentiality. In the artist’s words, “the black background became deeper, the white question marks became more clearly visible” (from a letter to Helena Markusková, 6 October 2002).