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House of Art
TUES–SUN 10:00–18:00

Gymnast

1992

wood, paint, iron, 47 × 44 × 14 cm

This wooden sculpture is a typical example of Preclík’s approach to stylized human figures. His works of this type incorporate natural and hand-processed material – in this case wood – and feature grotesquely stylized figures rendered with great expressive economy. Another characteristic feature that can be seen in this work is the addition of paint to the surfaces. This sculpture can be viewed as a reference to Preclík’s own small-scale works from the 1960s.

PRECLÍK VLADIMÍR

(1929, Hradec Králové – 2008, Praha) Sculptor, woodcarver, painter, teacher, politician and writer. After completing his apprenticeship as a woodcarver, from 1946 to 1950 he studied at the Sculpture and Stonemasonry College in Hořice, and then at the Prague Academy of Arts, Architecture and Design (1950–1955), where he attended Josef Wagner’s studio. He was a member of the Trasa 54 (“Route 54”) group. In 1966 he won the international jury’s award at an exhibition in Slovenj Gradec (Yugoslavia), and in 1968 he was awarded the James Akston Prize at the 34th Venice Biennale. Preclík was an active holder of public offices. In the 1960s he organized the international sculptural symposiums in the town of Hořice. During the 1960s he became known for he wooden sculptures, in which he combined the old tradition of woodcarving with new trends in contemporary sculpture. However, unlike his peers, he did not use artificial materials or found objects at this time. He only began to incorporate these elements into his work in his later assemblages, which combined hand-carved wood and leather, furs or glass. Preclík’s work expresses social critique (as in the series Thrones). Less numerous are his stone sculptures. His first work in a public space was produced at a sculpture symposium held in Liberec in 1969. His later projects included an important contribution to the Stations of the Cross sculpture park in Kuks; however, he died before the park opened (2008), and his design was implemented post-mortem by the sculptor Zdeněk Hejl.
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undated
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Old Eroticism

1996
Concrete (Below a Slag-Heap)

Concrete (Below a Slag-Heap)

1983
Wallachian Madonna

Wallachian Madonna

1921
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