In the 1950s his work featured very distinctive figurative art —— huge archetypal figures from elsewhere. Typical of that period was a spiritual dimension and religious themes into which he introduced his own notions, experiences and visions. In the 1960s he started to create a series of structural paintings inspired by Jewish traditions, such as Gehenna, a Mythical Valley in Jerusalem —— a place of suffering and cleansing, a place of spiritual purification after which there follows the Absolute.