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House of Art
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Wedding dress II.

2020

wedding dress, acrylic, canvas, 240×190 cm

purchased in 2023 with support from the Czech Republic Ministry of Culture

This large-scale work features an assemblage of real wedding dresses applied to a canvas support. The surrounding surface is composed of a colourful structure created as a graphic imprint of a road soaked with acrylic paint, on which the artist laid the dress.

Titlová-Ylovsky treats the motif of the wedding dress as an object carrying the personal story of a specific individual. More broadly, however, it can be understood as a significant ritual garment for women within Euro-Atlantic culture. It is strongly linked to emotions—both joy and happiness as well as anxiety and fear—despite being worn for only a single day. This emotional urgency is translated into the blue printed structure of the assemblage, which not only surrounds the dress but also penetrates it entirely.

Translation created with the assistance of AI (ChatGPT).


TITLOVÁ-YLOVSKY MARGITA

(1957)
diptych, photograph, lipstick, pencil, paper, each 29×20.5 cm, purchased in 2023 with support from the Czech Republic Ministry of Culture
1982

Dimension of the seen

mixed technique, canvas, 74×52 cm, purchased in 2023 with support from the Czech Republic Ministry of Culture
1993

From the Love of Dolls series

Girl in a fur

Girl in a fur

undated
Old Eroticism

Old Eroticism

1996
Concrete (Below a Slag-Heap)

Concrete (Below a Slag-Heap)

1983
Wallachian Madonna

Wallachian Madonna

1921
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